Stone of Sisyphus (XXXII) | 
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| Artist: Chicago
Label: Rhino Records
Category: Music
List Price: $18.98
Buy New: $7.45
You Save: $11.53 (61%)
New (51) Used (21) from $6.36
Rating:  68 reviews
Sales Rank: 997
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 491580
UPC: 081227993016
EAN: 0081227993016
ASIN: B0018DPC7O
Release Date: June 17, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New - Factory Sealed - Shipped from Florida via USPS First class mail. We ONLY sell what we have in stock. NO back orders here.Import Edition
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| Tracks:
| • | Stone Of Sisyphus | | • | Bigger Than Elvis | | • | All The Years | | • | Mah-Jong | | • | Sleeping In The Middle Of | | • | The Bed | | • | Let s Take A Lifetime | | • | The Pull | | • | Here With Me (A Candle For The Da | | • | Plaid | | • | Cry For The Lost | | • | The Show Must Go On | | • | Love Is Forever (Demo) | | • | Mah-Jong (Demo) | | • | Let s Take A Lifetime (Demo) | | • | Stone Of Sisyphus |
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| Editorial Reviews:
Amazon.com
"Sisyphus has attained legendary status among rock critics, Chicago fans, those who've heard parts of it and those who have only read about it." —from liner notes by Bill DeYoung
Formed in its namesake city in 1967, Chicago is the first American band ever to propel albums into Billboard 's pop Top 40 for five consecutive decades, and is among the most successfully charting U.S.-grown acts of all time. Now, another page in the band's history is revealed with the long-awaited release of Stone Of Sisyphus, the once shelved album that has attained legendary status among fans and critics alike. Recorded in 1993 and originally intended as Chicago XXII, the disc marked a return to the genre-transcending, adventurous fusion of sounds that defined the group's 1970s-era heyday. Three tracks from it surfaced on Rhino's 2003 Chicago box, but the album itself is previously unissued—now, this momentous release also features four incredibly rare bonus tracks.
Album Description
Includes Bonus Tracks. 16 tracks.Chicago XXXII: Stone of Sisyphus is an album by Chicago released in June 2008 by Rhino Records. Originally recorded in 1993 for Reprise Records and scheduled for a March 1994 release, Stone of Sisyphus was ultimately rejected by the latter label, leading Chicago to leave Reprise shortly afterwards. Band management was negotiating with the label regarding a licensing of the extensive Chicago back catalog. When these talks stalled, the label apparently retaliated by scrapping the project. Reprise's loss is Rhino's gain. Listen and judge for yourself. A hidden artifact of days gone by anew again.
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| Customer Reviews: Read 63 more reviews...
 Best studio Chicago album in ages. Shame it took so long! August 19, 2008
Joseph M. Siegler (Garland, TX USA)
2 out of 2 found this review helpful
Back in the early 90's I was a big Chicago fan. They had kind of moved past the ballady stuff they had in the mid 80's, and became an interesting band again. However, they were still mostly dominated by the ballad. So after Chicago 21 in 1991, the band issued a statement saying they wanted to move away from that kind of music, they wanted to do something new, something they really "wanted to do". So they started work on what became this album. However, the record label didn't like it. The entire story is fairly convoluted, but the band and the record label didn't see eye to eye, so the band said "the heck with it", and took their record and didn't deliver it, or the label refused to release it (depending on who you talk to) Either way, it never came out. As the years passed, and more albums came out, Sisyphus became something of a legend. The band refused to talk about it, the tracks were never released, and it was widely bootlegged.
I had a copy of this for a long time, and really did enjoy it. It was rather experimental, didn't sound like "usual Chicago". In early Spring of 2008, I was rather shocked to see it on the coming list from Rhino records. This was cool, because the boot I had was "OK", but it's never the same as a cleaned up version, properly released. On top of that, the official release has four demo versions of tracks. I didn't listen closely to see if they were bootleg versions or not. Additionally, there's one track that remains from the bootleg that is not on the final version, so it's not 100% completed, but that's a nitpick, really.
The album is great. It still sounds like "Chicago", but not like any traditional Chicago sound. There's a lot more funk and bass in this recording. Several tracks are quite awesome. Thing is, it's probably not for everyone. While I really like the recording, it has that feel of "acquired taste". If you're a Chicago fan though, you probably would like it. Take a shot.
 A LONG Wait, but... August 16, 2008
Kenneth A. Bagenstose (Fleetwood, PA USA)
0 out of 4 found this review helpful
From the buzz surrounding this album for years, I thought this would be an incredible return to form for Chicago, full of memorable songs and hooks, comparable to their early stuff. I have to say, though, that this is a pretty underwhelming effort. It all sounds a bit generic and (obviously) dated. The horns are back, but there's nothing truly memorable about the horn lines. I don't know why the record company didn't want to release this in '93; it's not really what I would consider groundbreaking and I don't know why so many people hailed this as a "great" lost Chicago album. The best songs (five of them) on the XXX album are catchier and better overall tracks than the stuff on "Sisyphus". I'm a life-long, die-hard fan of Chicago, but sorry guys; this one just doesn't do it for me!
Makes you wonder............. August 14, 2008
Brian
The best thing Chicago has done since Chicago V (imo). This one has it all, driving rockers, ballads, those quirky, delicious trademark Chicago horn riffs, even rap! Lamm, Champlin and Scheff all at their best on lead vocals. Amazing. I can't believe the recording execs that were in charge back in 93 thought this wasn't "commercially viable" or whatever drivel they were spouting back then that kept this masterpiece from being released. Makes you wonder how it would have done if released when some of the tracks would have gotten decent airplay.
Yes- White Men Can Jump!! August 9, 2008
piano man
This album has got soul. The songs are good, the musicianship of the performers are excellent, and the vocals are also quite good. On this album you will hear the horns wailing, the drums pounding, the guitar soaring, and the band rocking with attitude as well as rapping (yes-rapping- check out "Sleeping In the Middle of the Bed"). I have no idea why Warner Brothers (their Label at that time) didn't want to release this album. There are also some nice melodic songs that could be in the top 40 as well.
Missing from the original version of the album is "Get On This", a nice funky dance number. Also, in the cd booklet it is mentioned that "Cry of the Lost" was rewritten from another song they originally intended to use ("Proud of Our Blindness").
If you liked the very first Chicago album (Chicago I) then I think you'll like this album as well. I hope Chicago will decide to create more music like this (rather than their usual Top 40 ballad material). Good album-throughly enjoyable (to me).
Chicago's back! July 30, 2008
L. Alexander
Stone of Sisyphus is the long awaited release of this very talented band, which has been lost in obscurity for something like 20 years. But don't despair, the CD largely lives up to the hype. It is creative, employs complicated and inspired arrangements, intriuging lyrics and a variety of rock and jazz instrumentation that only Chicago can pull off. It is great to see the Chicago -- that so many of us grew up with -- back again. The stand-out songs in terms of creativity and a sense of the old Chicago energy include: the title track, All the Years (which has an interesting segue that harks back to the Chicago Transit Authority years), Mah-Jong (a very listenable song with a strong sense of funk), Sleeping in the Middle of the Bed (a suprisingly interesting foray into rap), The Pull (which is musically tight but would have been better with Robert Lamn on lead vocals), Plaid and The Show Must Go On. If there is ever a re-release, making sure "Get on This" is on there is a must -- a rocker that was on the original studio version. Nonetheless, this is solid Chicago and the guys (all eight of them) are to be congratulated. Well done. Now let's hear another similar effort for Chicago XXXIII. ---L.A
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